Gifted (2017)
Frank Adler (Chris Evans)
is a single man raising a child prodigy - his spirited young niece Mary
(Mckenna Grace) in a coastal town in Florida. Frank's plans for a normal school
life for Mary are foiled when the seven-year-old's mathematical abilities come
to the attention of Frank's formidable mother Evelyn (Lindsay Duncan) whose
plans for her granddaughter threaten to separate Frank and Mary. Octavia
Spencer plays Roberta, Frank and Mary's landlady and best friend. Jenny Slate
is Mary's teacher, Bonnie, a young woman whose concern for her student develops
into a connection with her uncle as well.
Director: Marc Webb
Writer: Tom Flynn
Stars: Jenny Slate, Chris
Evans, Octavia Spencer
PG-13 | 1h 41min | Drama
IMDB link Here
A schoolteacher’s amazed
discovery of an apparently genius child; a custody battle bitterly dividing
family members; a single father becoming romantically involved with his little
girl’s elementary school teacher. Those are among the familiar, or, to put it
less charitably, cliched elements of Marc Webb’s Gifted. But despite its
recycled tropes, the comedy-drama manages to be both funny and moving even if
its emotional manipulations are fully apparent.
Chris Evans, taking a break
from saving the world as Captain America, plays Frank, the sort of gruff,
stubble-cheeked loner who obviously has a heart of gold. Working as a boat
repairman in a Florida coastal town, he shares a modest home with his
7-year-old niece Mary (Mckenna Grace), the daughter of his sister, who
committed suicide when Mary was just six months old.
The screenplay by Tom Flynn —
whose only previous theatrical credit is the little-seen Watch It (1993) —
features generous doses of humor that keep the proceedings from becoming too
maudlin. And Webb, making a welcome return to indie films after his unfortunate
reboot of the Spider-Man franchise, handles the blend of comedy and drama as
effectively as he did in his acclaimed debut, (500) Days of Summer. But he’s
not entirely able to overcome the story’s cloying aspects, including, believe
it or not, a last-minute rescue from euthanasia of the family pet, which, in
keeping with the film’s labored quirkiness, is a one-eyed cat.
More than a few scenes generate
eye-rolling, including Frank taking Mary to a hospital waiting room so she can
learn a life lesson by watching the delighted reactions of relatives receiving
news about a baby’s birth. When Frank and schoolteacher Bonnie engage in a
drunken flirtation but solemnly agree that it won’t lead to anything more, it
comes as little surprise that the next shot depicts them giddily falling into
bed together. Webb is even shameless enough to include a Cat Stevens song on
the soundtrack.
None of that, however, will
prevent you from succumbing to the film’s heartstring pulling, such as the
wrenching scene in which Mary becomes hysterical when Frank is forced to leave
her with foster parents. The gifted 10-year-old actress, who has already
amassed a lengthy list of film and television credits, delivers a superb
performance here that bodes well for her future. She handles her character’s
wide-ranging emotional demands with consummate skill; perhaps her best moment
is Mary’s deadpan reaction upon discovering her half-naked teacher in her home.
All of the performances are
terrific, even if Spencer’s no-nonsense, voice-of-reason shtick threatens to
become tiresome. Evans underplays to fine effect as the emotionally conflicted
Frank; Slate is winsomely appealing as the teacher who finds herself drawn to
her student’s hunky guardian; and Duncan displays a droll, deadpan humor that
makes the grandmother surprisingly sympathetic.
Read full review at Hollywood Reporter
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