Atomic Blonde (2017)
IMDB Rating : 7.3/10 (as on 16.07.2017)
R | 1h 55min | Action, Mystery, Thriller
An undercover MI6 agent is sent to Berlin during the Cold
War to investigate the murder of a fellow agent and recover a missing list of
double agents.
Director: David Leitch
Writers: Kurt Johnstad (screenplay), Antony Johnston (based
on the Oni Press graphic novel series written by)
Stars: Sofia Boutella, Charlize Theron, James McAvoy
IMDB Link Here
Just
in time for the Cold War Revival comes David Leitch's Atomic Blonde, a rock
'em, sock 'em spy tale set during the final days of the Berlin Wall. Playing
the eponymous heroine (whose abilities, title notwithstanding, aren't limited
to hotness or hair color), Charlize Theron has all the steely cool such a movie
needs but is forced to keep her wit stashed somewhere alongside her fake
passports. Based on a graphic novel by Antony Johnston, it's no rival for le
Carré when it comes to the old cross/double-cross stuff; but a surfeit of style
and a tasty supporting turn by James McAvoy help fill the time between fight
scenes, which — this being a film by the stuntman/co-director behind John Wick
— are pretty much the whole point.
Theron
enters the pic wearing nothing but bruises, tons of them, which she's soothing
with an ice-filled bathtub and a less ice-heavy glass of vodka. Her Lorraine
Broughton is an MI6 operative just returned from Berlin, due for a debrief with
her handlers (Toby Jones and a CIA figure played by John Goodman) about her
recent attempts to retrieve "The List" — a full roster of Her
Majesty's secret agents — and the Ruskie defector (Eddie Marsan, wasted)
responsible for intercepting it.
As
she sits in a room not very unlike one where a different blonde was
interrogated in Basic Instinct, Lorraine recalls her arrival in Berlin and
first meeting with partner David Percival, an agent who has gone not just
native but "feral." McAvoy bites into the role with the same relish
shown in Split, embracing the city's artsy underbelly as enthusiastically as a
British pop musician looking for a creative reboot. (Could the film's music
team, which pastes an unimaginative array of '80s hits across the soundtrack,
not have matched Percival's curiosity a bit?)
Given
the vices we see Percival indulge, we're not surprised that he immediately lies
to Lorraine. But is he lying for good reason, in case she's the infamous
double-agent called Satchel, or for more nefarious purposes? And what of the
French agent (Star Trek Beyond's Sofia Boutella) who spies on Lorraine and soon
winds up in bed with her? Is she Satchel? (If this retro-mad movie had any
sense of humor at all, the pair's showy writhing under lurid fluorescent lights
would be accompanied by Top Gun's "Take My Breath Away" — which
doesn't just fit the aesthetic, but was performed by a band named Berlin.)
Questions
of loyalty and honesty are, to be frank, not very interesting here.
Fortunately, there's the mystery of all those bruises covering Lorraine's body.
Leitch gives a couple of good tastes of his action sensibility early in the
film, one involving a useful coil of garden hose. But genre fans will likely be
so taken by the main event that they forget any storytelling disappointment
leading up to it: A long sequence in the third act, in which Lorraine fights
her way through an apartment house's stairwell, is one for the ages, a
bring-the-pain endurance test in which opponents seem nearly impossible to
kill. Theron punches through it with a fierceness to match Min-sik Choi in
Oldboy or Matt Damon in the Bourne franchise.
The
more obvious comparison, of course, is with the latest, earthily violent
incarnation of James Bond. As enjoyable as Atomic Blonde can be at times, its
main utility may be its demonstration that Theron deserves better than this. If
not a reincarnation in which James becomes "Bond, Jane Bond," then at
least something with more staying power than this actioner, which looks good
and gets some things right, but is as uninterested in its protagonist's
personality as its generic name suggests.
Read full review at Hollywood reporter
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