Donald Cried (2016)
IMDB rating 7.1/10
Director: Kris Avedisian (as Kristopher Avedisian)
Writers: Kris Avedisian (as Kristopher Avedisian), Kris
Avedisian (screenplay)
Stars: Jesse Wakeman, Kris Avedisian, Louisa Krause
1h 25min | Comedy, Drama | 12 March
2016
Read IMDB review Here
A Wall Street banker has an uncomfortable reunion with
his emotionally arrested former best friend in Kris Avedisian's dark comedy.
If you’ve ever run into an old
friend who you absolutely never wanted to see again, you’ll find much to relate
to in Kris Avedisian’s indie comedy that perfectly captures the painful aspects
of such an unfortunate encounter. Ironically, the film captures them too well.
Viewers may find themselves as eager to get away from the titular character as
his former buddy with whom he reunites. Donald Cries demonstrates that
cringeworthy isn’t necessarily the same as funny.
The film succeeds in its
presumed goal of keeping the viewer off-balance trying to figure out the
dynamics of the relationship, with Donald acting in alternately hyper-friendly,
passive-aggressive and fully hostile fashion. But little of it rings true, from
the contrived plotting (does the financially savvy Peter really have no other
recourse to procure funds?) to Donald’s exaggerated man-child aspects, which
less resemble arrested development than the sort of comic grotesqueries that
have become an indie movie staple. This feature was adapted from a previous
short film, and it’s not difficult to see how the character would have been
easier to take in a much smaller dose.
That’s not to say that Donald
Cries doesn’t have some insightful moments. Peter’s inconsistent responses to
Donald’s provocations — alternating between affection, indulgence, irritation
and anger — have the ring of truth, suggesting an underlying guilt over having
rejected his former friend so completely.
To his credit, Avedisian fully
commits to his role, stressing Donald’s repellant qualities rather than trying
to make him falsely endearing. Wakeman makes for an effective straight man,
thankfully not overdoing his character’s boorish tendencies. But their efforts
aren’t enough to make this squirm-inducing dark comedy any easier to sit through.
Read full review at Hollywood reporter
Reunited, and It Feels So Awkward
Observing
the reunion of two former high school friends in Kris Avedisian’s
squirm-inducing comedy “Donald Cried” is like watching an ostensibly friendly
game of catch in which the players tossing a baseball throw it so hard that it
becomes a potentially lethal weapon. At first you root for one side to knock
out the other, but the balance of sympathy slowly shifts.
The
movie forcefully reminds you that the past you thought you had left behind
still hurts, and that the old wounds you imagined had healed have simply been
covered over. Returning to the place where you grew up, your younger, more
vulnerable self takes over whether you like it or not.
“Donald Cried” is an acutely insightful,
exquisitely written and acted triumph for Mr. Avedisian, who understands how
the past permanently clings to us. The childish Donald, whose bedroom walls are
plastered with horror-movie and heavy-metal posters, lives in a state of
arrested development and works for a musclebound goon who verbally abuses him.
His most precious possession is a signed picture of a porn star.
The
town, through Peter’s eyes, is a suffocating Nowheresville peopled with losers
idling their time away. As you learn more about Peter, he emerges as a gloomy
middle-age man riddled with guilt about abandoning his grandmother for big-city
pursuits. Donald, although pathetic in many ways, has maintained a sense of
moral responsibility, however warped and childlike.
A
movie of intensely compressed emotions that barely misses a note, “Donald
Cried” puts you excruciatingly in the moment. You long to flee, but it’s so
good that you can’t avert your gaze.
Read full review at New york times
Kris Avedisian’s absurd and
poignant ex-buddy movie demonstrates that the reason people shun old friends is
not so much because they don’t like them but because they don’t like who they
were when they knew them. In the case of Donald Treebeck (Avedisian), however,
both reasons may apply. He lives at his family home in Warwick, R.I., with his
bong, porn, and action figures, and the same uncensored, passive aggressive
puerility he perfected in the 1980s. For former best bud Peter Latang (Jesse
Wakeman), Donald embodies all the reasons why he took off for New York 15 years
ago. But now Peter is back in town to tend to his recently deceased
grandmother’s ashes. He loses his wallet and, to his dismay, Donald is his last
resort for a lift and a loan
Read full review at Boston globe
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